Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Little White Lies

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  • In this issue

    A review of Lee Isaac Chung’s Minari
    Kambole Campbell delves into Lee Isaac Chung’s sun-bleached cine-memoir.

    Being Yourself
    Hannah Woodhead picks apart the themes of Minari with its director, Lee Isaac Chung, and two of its stars, Steven Yeun and Alan S Kim.

    In Another Country: An A-Z of Diaspora on Screen
    Leila Latif and David Jenkins offer an alphabetical tour of immigrant communities on film.

    Flower Power
    Phuong Le revisits the first US film to boast a fully-Asian cast: Henry Koster’s 1961 musical, Flower Drum Song.

    Les Enfants Terribles
    Charles Bramesco grinds his axe against the wheel of terrible child performances in movies.

    Dimensions of Dialogue
    Grace Barber-Plentie and Rōgan Graham explain how they amplified Black voices around the release of Steve McQueen’s Small Axe series.

    Threads: The Baseball Cap
    Christina Newland’s regular column on clothes and film unloads the political weight of the baseball cap.

    Illustration in this issue by Seung Won Chun, Callie Mastrianni, Stéphanie Sergeant, Lucia Vinti and Laurene Boglio.